21 hours ago
1 day ago
Forgive me, I still don’t quite have all the Wes Anderson out of my system after WES ANDERSON WEEK. So, here is Wes Anderson and Jason Schwartzman shopping for CDs and DVDs and telling you what’s good.
2 days ago
3 days ago
via growingupindie
Billy Wilder sitting on window sill in his Hollywood office as screenwriter I.A.L. Diamond works at the typewriter.
(1960)
4 days ago
6 days ago
James L. Brooks on meeting - and working with - Wes Anderson (Criterion Collection) «
excerpt:
I worked with Wes and Owen for the better and worser part of a year, and they were like no writing team I’d ever encountered. First of all, you could never catch them communicating with each other in front of you. Nor could you pressure them into actually expressing an individual reaction on the spot to something you said. Yet they weren’t rude. It was some trick or talent, and it was always there, always. I would pitch some idea or notion about a scene, and there it would end. One of them might jot a note, but that was it. And it’s not as if I didn’t prod them with a “So what do you think?” And it wasn’t silence that came back from such direct assaults, at least not technically, because words were muttered by them. But never words that fit together in anything resembling declarative thought. Our times were pleasant enough; Owen is a great laugher. I never in my life met anyone who laughed more often and still seemed genuinely surprised every time he did.
This Is An Adventure - The Making of The Life Aquatic with Steve Zissou
This is the documentary that comes with the Criterion edition of the film. Parts one through six are available to watch on youtube, and contain lots of fantastic behind the scenes footage!
A companion site of sorts to 






![krisatomic:
whatkatiedoes:
How the Puppets from Fantastic Mr. Fox Were Made [Slide Show]](http://13.media.tumblr.com/tumblr_ktd949WWUc1qzrj50o1_500.jpg)
